Phantogram Mesmerizes Boston with a Hypnotic, High-Energy Set at House of Blues Monday February 10, 2025

Boston’s House of Blues was buzzing with anticipation on Monday night as Phantogram took the stage for the final stop on their latest tour. The duo, Sarah Barthel and Josh Carter, delivered a mesmerizing, synth-heavy performance that blended atmospheric beats with raw emotional intensity. Playing to a packed house, Phantogram proved once again why they remain one of the most dynamic and engaging acts in electronic rock.

From the opening notes of Jealousy, the crowd was immediately drawn into the band’s signature sound—dark, moody textures paired with pulsating rhythms. Barthel’s ethereal vocals cut through the hypnotic beats, setting the tone for an electrifying night. The energy surged with Don't Move and Fall in Love, two of the band’s biggest hits, sending the audience into a frenzy of movement and singalongs.

The setlist showcased a mix of fan favorites and deeper cuts, weaving seamlessly through tracks like Feedback Invisible, It Wasn't Meant to Be, and Mouthful. The chemistry between Barthel and Carter was undeniable, with Carter’s guitar work adding a gritty edge to the shimmering synth arrangements.

Midway through the set, Run Run Blood and Attaway brought a heavier, more intense sonic atmosphere, their pounding basslines reverberating through the venue. The dreamy You Are the Ocean and haunting Answer provided a more introspective moment, allowing the audience to catch their breath before the explosive second half of the show.

As the night progressed, the band pulled out All a Mystery, Happy Again, and the fan-favorite Black Out Days, each song building the energy back up. The pulsating Come Alive and luminous Glowing were met with thunderous applause, proving that Phantogram’s ability to craft infectious, danceable yet deeply emotive music remains as strong as ever.

Closing out the set, You Don't Get Me High Anymore ignited the crowd, with Barthel’s haunting delivery amplifying the song’s brooding intensity. As the encore, When I’m Small sent the audience into one final euphoric high, with its eerie synths and pounding percussion leaving an unforgettable impression.

Phantogram’s performance at the House of Blues was nothing short of spellbinding—a seamless blend of electronic dreamscapes, brooding intensity, and unrelenting energy. For those lucky enough to witness it, the night served as a reminder of why Phantogram remains at the forefront of modern electronic rock. As the lights dimmed and the crowd spilled out into the cold Boston night, there was no doubt—Phantogram had left their mark on the city once again.