Known for her evocative voice and engaging stage presence, Watson-Jones, accompanied by a talented trio, delivered a performance that resonated deeply with the audience.

The trio, consisting of Steve Aubert on piano, Dave Zox on upright bass, and Alvin Terry on drums, provided a rich and dynamic backdrop for Watson-Jones’ vocals. Together, they crafted a sound that was both polished and heartfelt, perfectly suited to the intimate setting of The Lilypad.

The first set began with a spirited cover of "I've Got Rhythm," where Watson-Jones’ warm voice intertwined beautifully with Aubert’s lively piano work and Zox’s steady bass lines. The upbeat tempo set the tone for the evening, drawing the audience into the joyful energy that Watson-Jones effortlessly exudes. This was followed by a sultry rendition of "Summertime," where Terry’s subtle drumming added depth to the haunting melody, allowing Watson-Jones to explore the song’s emotional nuances.

Original compositions like "Love Sings" and "Quiet Life" showcased Watson-Jones' talent not only as a performer but also as a songwriter. Her lyrics, reflective and sincere, were delivered with a grace that made each song feel personal. During "Mountain," Watson-Jones pointed to a beautiful photograph of the Scottish Highlands she had taken, connecting the visual beauty of the scene with the evocative nature of the song.

"Blue Skies" brought a light, breezy feel to the room, with Aubert’s playful piano solos and Watson-Jones’ clear, uplifting vocals. "Words Escape Me" and "Movin' On" rounded out the first set, each song highlighting the seamless interplay between the band members and the emotional depth of Watson-Jones’ performance.

After a brief intermission, the second set opened with "Topsy," a lively number that allowed Terry to shine with his dynamic drumming. Watson-Jones then moved into "A Kiss in the Morning," a tender ballad that showcased the warmth and clarity of her voice. The audience was particularly charmed by "I Chose to Have a Good Day," a song that perfectly encapsulated the afternoon's positive, life-affirming vibe.

"Glass of Wine" added a touch of romance to the set, with Zox’s bass providing a sultry undercurrent to Watson-Jones’ smooth delivery. A heartfelt cover of "Have I Told You Lately" brought a few misty eyes in the audience, as Watson-Jones’ interpretation of the classic tune was nothing short of soulful.

The performance concluded with "Here’s to a Good Life," an upbeat, celebratory song that left the audience feeling uplifted and inspired. Watson-Jones and her band exited the stage to enthusiastic applause, having delivered a performance that was both musically rich and emotionally resonant.

Joan Watson-Jones' concert at The Lilypad was a reminder of the enduring power of jazz to connect, uplift, and inspire. With a stellar band and a carefully curated setlist, Watson-Jones once again demonstrated why she remains a beloved figure in the jazz community. It was a night of music, storytelling, and pure joy—one that those in attendance will remember for a long time.